By Nandi Bhatia
Regardless of its significance to literary and cultural texts of resistance, theater has been mostly missed as a box of research in colonial and postcolonial reviews. Acts of Authority/Acts of Resistance seeks to handle that absence, because it uniquely perspectives drama and function as critical to the perform of nationalism and anti-colonial resistance.Nandi Bhatia argues that Indian theater was once an important strength within the fight opposed to oppressive colonial and postcolonial buildings, because it sought to undo numerous schemes of political and cultural strength via its engagement with matters derived from mythology, background, and to be had colonial types comparable to Shakespeare. Bhatia's awareness to neighborhood histories inside of a postcolonial framework areas functionality in an international and transcultural context. Drawing connections among paintings and politics, among functionality and daily event, Bhatia exhibits how functionality frequently intervened in political debates or even replaced the process politics.One of the 1st Western experiences of Indian theater to hyperlink the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival learn with shut readings of dramatic texts played at serious moments in heritage. every one bankruptcy amplifies its topics opposed to the backdrop of particular social stipulations because it examines specific dramatic productions, from The Indigo replicate to variations of Shakespeare performs by means of Indian theater businesses, illustrating the function of theater in bringing nationalist, anticolonial, and gendered struggles into the general public sphere.Nandi Bhatia is affiliate Professor of English on the collage of Western Ontario.
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Extra info for Acts of Authority, Acts of Resistance: Theater and Politics in Colonial and Postcolonial India
G. Cuthbert, secretary of the Church Missionary Society, testified before the commission that his involvement in the discussion about indigo stemmed from the missionaries' desire to see in our Christians and in the native peasantry, generally, . . an independent spirit, an ability to stand on their own legs, as it were. It seems to me, that the connection of ryots with indigo planting tends to repress that spirit; and further still it is found in a thousand instances most difficult to improve the moral condition of a people , whose social condition is extremely low .
News of the incident spread far and wide , and even the Bengali press expressed its anger , as exhibited in the response of the Amrit Bazaar Patrika: "The Hindu society can bear all oppression, but no shock to its womanhood. Any person, who allows the family to be defiled from outside , is a disgrace , nay a great enemy, to the Hindu society . " 108 Another leading daily, the Hindu Patriot, opined that " the national feeling had been outraged at the price the Babu paid for his hon our. " 109 What we find in these responses is that for the purpose of attacking the colonists , the issue of gender had acquired central importance .
This gave criminal j urisdiction to magistrates in civil cases of breach of contract, and the party under trial was denied the right to appeal against his decision. Dubbed the "ryot's coercion act," it resulted in mass scale ill treatment of the ryots at the hands of the planters . As the Indian Field reported on October 20 , 1860, Never was justice more wantonly frustrated, . . never was partisan ship so scandalously displayed as by the officers in whose hands the administration of suits under the new law at first entrusted.
Acts of Authority, Acts of Resistance: Theater and Politics in Colonial and Postcolonial India by Nandi Bhatia